Selected Works — Joel Fullerton

Big Hug, Big Kiss (Big sun), red and orange watercolour forms meeting on cream paper, 2025
Big Hug, Big Kiss (Big sun), 2025
mixed-media drawing on Velin BFK Rives 115 gsm paper with honey-based watercolour pigments and lake water, 26" x 19" inches
Big Hug, Big Kiss (Big moon), black and yellow watercolour forms on cream paper, 2025
Big Hug, Big Kiss (Big moon), 2025
mixed-media drawing on Velin BFK Rives 115 gsm paper with honey-based watercolour pigments and lake water, 26" x 19" inches
Big Hug, Big Kiss (Big lake), two blue watercolour forms meeting at centre on cream paper, 2025
Big Hug, Big Kiss (Big lake), 2025
mixed-media drawing on Velin BFK Rives 115 gsm paper with honey-based watercolour pigments and lake water, 26" x 19" inches
Blue Sky Directly Overhead (6 am), clear medium blue field on white paper, 2024
Blue Sky Directly Overhead 6:00 am (See you in the morning), 2024
digital photograph C-print on Hahnemühle FineArt Museum Etching 350 gsm paper, 19" x 13" inches
Blue Sky Directly Overhead (6 pm), deep cobalt blue field on white paper, 2024
Blue Sky Directly Overhead 6:00 pm (See you in the morning), 2024
digital photograph C-print on Hahnemühle FineArt Museum Etching 350 gsm paper, 19" x 13" inches
Blue Sky Directly Overhead (11 pm), deep navy blue field on white paper, 2024
Blue Sky Directly Overhead 11:00 pm (See you in the morning), 2024
digital photograph C-print on Hahnemühle FineArt Museum Etching 350 gsm paper, 19" x 13" inches
Being Here (Oak circumference in cyanometer #1), dense black gestural marks on white paper, 2025
Being Here (Oak circumference in cyanometer #1), 2025
frottage and stone lithography print on Kozuke 44 gsm paper with lithographic rubbing ink stick, 19" x 26" inches
Being Here (Oak circumference in cyanometer #10), black gestural marks on white paper, 2025
Being Here (Oak circumference in cyanometer #10), 2025
frottage and stone lithography print on Kozuke 44 gsm paper with lithographic rubbing ink stick, 19" x 26" inches
Moonlight Overhead (Breathmarks at midnight #1), dark gestural marks on deep grey-black paper, 2024
Moonlight Overhead (Breathmarks at midnight #1), 2024
pastel drawing on Hahnemühle Velor 260 gsm paper with 9121 black Roché pastel and dirt, 20" x 28" inches
Moonlight Overhead (Breathmarks at midnight #2), dark gestural marks on deep grey paper, 2024
Moonlight Overhead (Breathmarks at midnight #2), 2024
pastel drawing on Hahnemühle Velor 260 gsm paper with 9141 black Roché pastel and dirt, 20" x 28" inches
Sunlight Overhead (Breathmarks at noon #3), dark blue gestural marks on pale blue paper, 2025
Sunlight Overhead (Breathmarks at noon #3), 2025
pastel drawing on light blue Magnani Pescia 300 gsm paper with 7181 blue Roché pastel, 22" x 30" inches
Sunlight Overhead (Breathmarks at noon #4), blue gestural marks on pale blue paper, 2025
Sunlight Overhead (Breathmarks at noon #4), 2025
pastel drawing on light blue Magnani Pescia 300 gsm paper with 7231 blue Roché pastel, 22" x 30" inches
Black Maple (ultramarine), transfer drawing on paper, blue and white tones, 2023
Black Maple ultramarine (Trees that follow me), 2023
transfer drawing on white 250 gsm cotton paper with 120 Faber-Castell Polychromos colour pencil, 22” × 30” inches
Giant Sequoia (dark cadmium orange), transfer drawing on paper, warm orange tones, 2022
Giant Sequoia dark cadmium orange (Trees that follow me), 2022-23
transfer drawing on white 250 gsm cotton paper with 115 Faber-Castell Polychromos colour pencil, 22” × 30” inches
Mountain Ash (pale geranium lake), pink transfer drawing on white cotton paper
Mountain Ash pale geranium lake (Trees that follow me), 2022
transfer drawing on white 250 gsm cotton paper with 121 Faber-Castell Polychromos colour pencil, 22” × 30” inches
Mountain Ash and Yucca Palm installation documentation, two large transfer drawings in pale geranium lake and magenta on gallery walls, 2022
Mountain Ash pale geranium lake, and Yucca Palm magenta, 2022
installation documentation, transfer drawing on white 250 gsm cotton paper with 121 and 133 Faber-Castell Polychromos colour pencil, 22” × 30” inches
Two abstract transfer drawings, one yellow and one dark gray, installed on a white gallery wall
White Cedar cadmium yellow, and White Pine dark indigo, 2023
installation documentation, transfer drawing on white 250 gsm cotton paper with 107 and 157 Faber-Castell Polychromos colour pencil, 22” × 30” inches
White Pine (Dark indigo), textured dark indigo transfer drawing on white paper, 2023
White Pine dark indigo (Trees that follow me), 2023
transfer drawing on white 250 gsm cotton paper with 157 Faber-Castell Polychromos colour pencil, 22” × 30” inches
Black Willow (Colour field #2), nine-panel grid of textured transfer drawings in reds, greens, blues, and magentas on white paper, 2022
Still Life (1), 2018
drawing on paper with Faber-Castell 9B graphite pencil in chrome frames, 22" x 30" inches
Sometimes still life (2), framed drawing with textured graphite marks and white geometric divisions on paper, 2018
Still life (2), 2018
drawing on paper with Faber-Castell 9B graphite pencil in chrome frames, 22" x 30" inches
Framed abstract artwork installed outdoors among grasses and wildflowers
Passing beneath my very eyes (Smooth Desert Dandelion), 2018
digital prints on semitransparent knitted polyethylene in poplar wood frames, 48” × 72” × 24” inches
Dark gallery installation with four framed monochrome artworks along a wall
Passing beneath my very eyes (Sometimes still life), 2018
installation documentation, digital prints on semitransparent knitted polyethylene in poplar wood frames
Installation view of sculptural stone forms, vases, and flowers arranged on a pale wooden platform
Meditations (Sometimes still life), 2018
installation documentation, plaster cast moulds and red clay pigment with Coyote Brush flowers in black porcelain, white marble, glass, and terracotta vase on maple plywood
Three abstract artworks in blue, black, and green displayed on a white gallery wall
Dull is the touch, 2015
mixed-media stone lithography prints with spray paint and bubble wrap in chrome frames, 27” × 82” inches
Two framed abstract artworks installed on a white-painted brick wall
Dull are the eyes, 2015
installation documentation, mixed-media stone lithography prints with spray paint and bubble wrap in chrome frames, 27” × 19” inches
Flower arrangement in a white vase before a terracotta sculptural form and white brick wall
Fragment (Archive of touch touch of archive), 2015
plaster cast mould and red clay pigment with Carnation, Iris, and Snapdragon flowers in white porcelain vase, approx. 36” × 36” × 48” inches